Dedicated to sifting through the detritus accumulated in my studio life, Studio Debris
Today the snow is falling, its treacherous Friday flakes dampening any motivation to make the snarled jaunt up Route 128 to my studio. At times like these, I like to browse my magazines and the internet for shows that I would like to attend, preferably out of town, to appeal to my "I need a change of scenery" mantra.
One that caught my eye: "Pricked: Extreme Embroidery", at the Museum of Arts & Design in New York City. Featuring edgy, contemporary takes on this ancient, embellishment craft by an international assembly of artists, both male and female. I see that the list includes Ghada Amer, whose work I have always admired. Many names are unfamiliar to me, like Andrea Dezsö, whose piece below: "My Grandmother Loved Me Even Though..." draws directly from the stitchy tradition of Sampler and floss, yet calls up a juicy undercurrent of the implications of words and interpretation in childhood.
Sounds right up my alley, actually. For a gallery of archived images of my own take on alternative embroidery, click here.