meredith cutler :: arts marketing :: artist

Today the snow is falling, its treacherous Friday flakes dampening any motivation to make the snarled jaunt up Route 128 to my studio. At times like these, I like to browse my magazines and the internet for shows that I would like to attend, preferably out of town, to appeal to my "I need a change of scenery" mantra.

One that caught my eye: "Pricked: Extreme Embroidery", at the Museum of Arts & Design in New York City. Featuring edgy, contemporary takes on this ancient, embellishment craft by an international assembly of artists, both male and female. I see that the list includes Ghada Amer, whose work I have always admired. Many names are unfamiliar to me, like Andrea Dezsö, whose piece below: "My Grandmother Loved Me Even Though..." draws directly from the stitchy tradition of Sampler and floss, yet calls up a juicy undercurrent of the implications of words and interpretation in childhood.

Sounds right up my alley, actually. For a gallery of archived images of my own take on alternative embroidery, click here.

Just a quickie on the MC recommends circuit today. Ever the last-minute romantic, I hit the Avon Theatre back on V-Day when I saw that Persepolis was on a short run there. I always miss the movies I want to see at the Avon, so I was in a hurry to catch this!

Based upon the brilliant, auto-biographical graphic novel by the ever-sassy Iranian ex-pat Marjane Satrapi, Persepolis is a fantastic example of an artist/animator collaboration that crosses cultural divides like a knife through butter. I was struck pie-eyed by Satrapi's recount of her middle-class Iranian upbringing as an only child during the turbulence of the 1970-80's, even morso by the unexpected familiarity of her depicted struggles with authority and culture.

Of course, in regards to revolution-era Iran, nothing could be further from my safe (yet sullen) upbringing in Regan-era Massachusetts! Regardless, the narrative angle, conveyed through brilliantly stylized animation (by Satrapi's collaborator Vincent Parannoud) bridges the implied cultural divide to draw the viewer into a place and time that must be told. Through suprisingly versatile, black and white design and at times hysterically funny vocal and visual dialogue, Persepolis breathes a familiar and sympathetic spirit into a population and culture that is so often completely misunderstood by outside audiences.

While an English version (featuring the voiceover talents of Geena Davis and Iggy Pop) is forthcoming, I highly recommend catching the original, French language version. With voicing by Chiara Mastroianni, Catherine Deneuve and Danielle Darriux, you will not regret it.

I'm not sure why Valentine's Day brings out the evil in me. After all, I'm safely married off, so I can no longer play the "I'm so sad/lonely/bitter/ *locked in my house because the doorknob on my front door just broke off in my hand" card.

In any case, let's get back to the evil. I have a special appreciation for evil, especially when disguised within otherwise innocent looking artwork. And so, when I came across today's Design*Sponge post on Wilhelm Staehle's "Silhouette Masterpiece Theatre" (via jared and eryn’s site), I clapped my little hands with evil glee, and decided to show them some evil blog love. I'm particularly fond of these:

*One Valentine's Day, not so very long ago, I was celebrating a week-old traumatic horrorshow breakup. To cheer me up, my wise girlfriends had plans to take me out for single, bitter drinks and laughs at the expense of others. I pulled my tearstained face off of the floor, put on a breakup revenge outfit, and headed for the door...only to find that I was locked inside my apartment as the faceted crystal doorknob rolled uselessly in my hand. To make a long story short (too late), I had to call my landlord, at home, on Valentine's Day evening, and plea with him to release me from my lonely, bitter trap. He promised to send over the live-in super. Meanwhile, I called my dad, who instructed me in detail how to fiddle with the errant doorknob. After several minutes of fiddling, I triumphantly wrenched open the door to my freedom...only to find Sherrod, my live-in super (a six-foot-five bodyguard type with no sense of humor) hulking on the other side wearing a bright red leather suit with matching fedora. Apparantly, I had interrupted his hot Valentine's Day date with the lady. Not happy, was he...sorry Sherrod! I miss you!

While researching the RISD furniture design program for an upcoming Artscope article, I came across this unassuming, secretly magical reclaimed oak sconce on graduate student Zeke Leonard's website. If I ever get to build my coveted wooden A-frame in the wilds of Maine, these will have to line my hallways.

Sunday inevitably draws hoards of hungry, bed-headed hipsters out of their pleasant, low-rent pads and into the blustery February streets. If you fall into the above category...congratulations! You've made it this far, and if you happen to be brunching in the Wickenden Street area, take a side-trip around the corner from Utrecht Art Supply to visit 5 Traverse Gallery.

The low-hi tech, community-minded collaborative, Tape Art, will be in residence at the laid-back alternative art space until February 15th, creating a constantly evolving aquarium-themed mural that they are simultaneously filming in stop-animation for a bona fide music video. If you are outside of the Providence area, or are too beaten down by winter to get out of the house, you can covertly monitor the whole process from afar via live webcam.

At the gallery, you can gape at the resident artists through the large front windows.  However, I suggest you get over yourself and step inside for a bit. Feel the crunch of your feet against the gravel curiously strewn on the tarp-covered floor. Ask James, Michael, or any of the resident Tape Artists about their video project, and catch a few frames of the rough edits. You may feel inspired to add to the collaborative aquarium mural in the back room.

Chances are, you, too will be caught on their webcam feed, so IM your hibernating friends and point them to the site. Smile, wave, and don't forget to grab some Swedish Fish on your way out.

Catch a fish at 5 Traverse Gallery, 5 Traverse Street, Providence, RI 02906. Tape Art will be in residence with Artaquarium until February 15th.

Recommended local dining: Brickway on Wickenden, The Blue Elephant