Dedicated to sifting through the detritus accumulated in my studio life, Studio Debris
As if we don't already have an overwhelming array of online time-wasters (I mean, ahem, enriching online activities), now I discover the new online networking community of "ItSpace".
A clever derivative of the now ubiquitous MySpace, ItSpace makes its mark on cyberspace by allowing inanimate, household objects to "network" with each other via the beautiful music trapped just beneath their shiny (or soft) surfaces.
And just HOW does this apply to reality (cyber or no) you might ask? Users are asked to record the sounds made with a household object, and to create a musical piece using just these sounds. Then, by uploading the musical clip along with a photograph of the object, a profile is created. Objects may then "befriend" other inanimate objects whose profiles are already included on the site. Another means of enjoying ItSpace is to remix existing objects (or, better yet, create a mashup! Blender, anyone?)
If anyone from the 9yds. days has a recording of that infamous '00 kitchen appliance and powertool jam at 40 Newcastle, please send it my way!
Today the snow is falling, its treacherous Friday flakes dampening any motivation to make the snarled jaunt up Route 128 to my studio. At times like these, I like to browse my magazines and the internet for shows that I would like to attend, preferably out of town, to appeal to my "I need a change of scenery" mantra.
One that caught my eye: "Pricked: Extreme Embroidery", at the Museum of Arts & Design in New York City. Featuring edgy, contemporary takes on this ancient, embellishment craft by an international assembly of artists, both male and female. I see that the list includes Ghada Amer, whose work I have always admired. Many names are unfamiliar to me, like Andrea Dezsö, whose piece below: "My Grandmother Loved Me Even Though..." draws directly from the stitchy tradition of Sampler and floss, yet calls up a juicy undercurrent of the implications of words and interpretation in childhood.
Sounds right up my alley, actually. For a gallery of archived images of my own take on alternative embroidery, click here.
I'm not sure why Valentine's Day brings out the evil in me. After all, I'm safely married off, so I can no longer play the "I'm so sad/lonely/bitter/ *locked in my house because the doorknob on my front door just broke off in my hand" card.
In any case, let's get back to the evil. I have a special appreciation for evil, especially when disguised within otherwise innocent looking artwork. And so, when I came across today's Design*Sponge post on Wilhelm Staehle's "Silhouette Masterpiece Theatre" (via jared and eryn’s site), I clapped my little hands with evil glee, and decided to show them some evil blog love. I'm particularly fond of these:
*One Valentine's Day, not so very long ago, I was celebrating a week-old traumatic horrorshow breakup. To cheer me up, my wise girlfriends had plans to take me out for single, bitter drinks and laughs at the expense of others. I pulled my tearstained face off of the floor, put on a breakup revenge outfit, and headed for the door...only to find that I was locked inside my apartment as the faceted crystal doorknob rolled uselessly in my hand. To make a long story short (too late), I had to call my landlord, at home, on Valentine's Day evening, and plea with him to release me from my lonely, bitter trap. He promised to send over the live-in super. Meanwhile, I called my dad, who instructed me in detail how to fiddle with the errant doorknob. After several minutes of fiddling, I triumphantly wrenched open the door to my freedom...only to find Sherrod, my live-in super (a six-foot-five bodyguard type with no sense of humor) hulking on the other side wearing a bright red leather suit with matching fedora. Apparantly, I had interrupted his hot Valentine's Day date with the lady. Not happy, was he...sorry Sherrod! I miss you!
Considering the snow forecast, I decided to forgo a dangerous battle with Route 128 tomorrow in favor of today. So, I'm here in the studio, enjoying a chilly early evening in front of the huge window.
It's time to replenish Crostini Designs inventory, just in time for Valentine's Day and Saturday's upcoming release of the City Sampler: Boston. Here is a sneak peek at a couple of the tasty new pieces I'll be adding to the store over the next day or so:
Ciao!
Sunday inevitably draws hoards of hungry, bed-headed hipsters out of their pleasant, low-rent pads and into the blustery February streets. If you fall into the above category...congratulations! You've made it this far, and if you happen to be brunching in the Wickenden Street area, take a side-trip around the corner from Utrecht Art Supply to visit 5 Traverse Gallery.
The low-hi tech, community-minded collaborative, Tape Art, will be in residence at the laid-back alternative art space until February 15th, creating a constantly evolving aquarium-themed mural that they are simultaneously filming in stop-animation for a bona fide music video. If you are outside of the Providence area, or are too beaten down by winter to get out of the house, you can covertly monitor the whole process from afar via live webcam.
At the gallery, you can gape at the resident artists through the large front windows. However, I suggest you get over yourself and step inside for a bit. Feel the crunch of your feet against the gravel curiously strewn on the tarp-covered floor. Ask James, Michael, or any of the resident Tape Artists about their video project, and catch a few frames of the rough edits. You may feel inspired to add to the collaborative aquarium mural in the back room.
Chances are, you, too will be caught on their webcam feed, so IM your hibernating friends and point them to the site. Smile, wave, and don't forget to grab some Swedish Fish on your way out.
Catch a fish at 5 Traverse Gallery, 5 Traverse Street, Providence, RI 02906. Tape Art will be in residence with Artaquarium until February 15th.
Recommended local dining: Brickway on Wickenden, The Blue Elephant